Season 1
14 episodes · Apr 15, 2014
0/14 watched
Swipe a row to mark watched · long-press to mark up to there
S1E1Mother (2009) - Telephoto Profile Shots
Apr 16, 20147mA brief analysis of one aspect of Bong Joon-ho's great film Mother (2009). WARNING: MAJOR SPOILERS. For educational purposes only.
S1E2The Imposter (2012) - Looking into the Lens
Apr 25, 20147mA brief analysis of Bart Layton's The Imposter (2012). WARNING: SPOILS EVERY GODDAMN THING.
S1E3The Spielberg Oner - One Scene, One Shot
May 6, 20147mOne overlooked aspect of Spielberg is that he's actually a stealth master of the long take. From Duel to Tintin, for forty years, he has sneakily filmed many scenes in a single continuous shot.
S1E4Wolf Children (2012) - The Lateral Tracking Shot
May 16, 20147mLooking for a unique lateral tracking shot? Consider this example from Mamoru Hosoda's excellent film Wolf Children (2012). NO SPOILERS.
S1E5Edgar Wright - How to Do Visual Comedy
May 26, 20147mIf you love visual comedy, you gotta love Edgar Wright, one of the few filmmakers who is consistently finding humor through framing, camera movement, editing, goofy sound effects and music. This is an analysis and appreciation of one of our finest comedic voices.
S1E6Martin Scorsese - The Art of Silence
Jun 14, 20147mEven though Martin Scorsese is famous for his use of music, one of his best traits is his deliberate and powerful use of silence. Take a glimpse at fifty years of this simple technique from one of cinema's masters. SPOILERS for Shutter Island (2010), Superman (1978) and Man of Steel (2013)
S1E7Michael Bay - What is Bayhem?
Jul 3, 20147mThere are filmmakers we love and then there's Michael Bay. Even if you dislike him (as I do), Bay has something valuable to teach us about visual perception. This is an exploration of "Bayhem" — his style of camera movement, composition and editing that creates something overblown, dynamic and distinct.
S1E8Satoshi Kon - Editing Space & Time
Jul 24, 20147mFour years after his passing, we still haven't quite caught up to Satoshi Kon, one of the great visionaries of modern film. In just four features and one TV series, he developed a unique style of editing that distorted and warped space and time. Join me in honoring the greatest Japanese animator not named Miyazaki.
S1E9A Brief Look at Texting and the Internet in Film
Aug 15, 20147mIs there a better way of showing a text message in a film? How about the internet? Even though we’re well into the digital age, film is still ineffective at depicting the world we live in. Maybe the solution lies not in content, but in form.
S1E10Robin Williams - In Motion
Sep 9, 20147mRobin Williams was a genius, but he was also a dedicated craftsman who explored how an actor could express character through movement. Join me in honoring this tiny facet of his work.
S1E11David Fincher - And the Other Way is Wrong
Oct 1, 20147mFor sheer directorial craft, there are few people working today who can match David Fincher. And yet he describes his own process as “not what I do, but what I don’t do.” Join me today in answering the question: What does David Fincher not do?
S1E12The Silence of the Lambs - Who Wins the Scene?
Oct 14, 20147mIn drama, two characters walk into a room. Each wants something from the other. The question of the scene is: who gets what they want?
S1E13Snowpiercer - Left or Right
Oct 28, 20147mCharacters make choices which they cannot take back. The question is: how do you show it visually? Here’s one solution from Snowpiercer. Warning: SPOILS ENTIRE FILM.
S1E14Jackie Chan - How to Do Action Comedy
Dec 2, 20147mSome filmmakers can do action. Others can do comedy. But for 40 years, the master of combining them has been Jackie Chan. Let’s see how he does it. The 9 Principles of Action Comedy 1. Start with a DISADVANTAGE 2. Use the ENVIRONMENT 3. Be CLEAR in your shots 4. Action & Reaction in the SAME frame 5. Do as many TAKES as necessary 6. Let the audience feel the RHYTHM 7. In editing, TWO good hits = ONE great hit 8. PAIN is humanizing 9. Earn your FINISH